محترف التورنت
10-27-2006, 10:55 PM
CAM
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.
TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.
SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.
DVD-SCREENER (DVDscr)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.
DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.
VHSRip
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.
TVRip
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the "dark matches" and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.
WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.
DivX Re-Enc
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren't really worth downloading, unless you're that unsure about a film u only want a 200mb copy of it. Generally avoid.
Watermarks
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the "Z" "A" and "Globe" watermarks.
Asian Silvers / PDVD
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don't last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.
Formats
VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352x240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.
SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480x480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple "passes". this takes a lot longer, but the results are far clearer.
XVCD/XSVCD
These are basically VCD/SVCD that don't obey the "rules". They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don't intend to release them.
DivX / XviD
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we'll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.
CVD
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352x480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.
DVD-R
Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.
MiniDVD
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because of the high resolution/bit-rates, its only possible to fit about 18-21 mins of footage per disc, and the format is only compatible with a few players.
PROPER
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
SUBBED
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.
UNSUBBED
When a film has had a subbed release in the past, an Unsubbed release may be released
LIMITED
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.
INTERNAL
An internal release is done for several reasons. Classic DVD groups do a lot of .INTERNAL. releases, as they wont be dupe'd on it. Also lower quality theater rips are done INTERNAL so not to lower the reputation of the group, or due to the amount of rips done already. An INTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in the year people referred to Centropy going "internal". This meant the group were only releasing the movies to their members and site ops. This is in a different context to the usual definition.
STV
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.
ASPECT RATIO TAGS
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.
EDITONS
SE = Special Edition
DC = Directors Cut
CE = Collectors Edition
مترجم إلى العربي
منقول من العضوmenamories
اولا : انواع صور الافلام :
Cam
اسواء صور الافلام و هي تصوير كاميرا فيديو في السينما و يتم تسجيل الصوت مباشرة من قاعة السينما و قد تري او تسمع اصوات المشاهدين في السينما
TELESYNC or TS
افضل من Cam وهي ايضا تصوير سينما و لكن في قاعة سينما فارغة او من غرفة الة العرض و جودة الصوت افضل من Cam لانه يتم تسجيل الصوت من جهاز العرض عن طريق مكان مخصص لذلك في الكرسي لتوصيل سماعات ضعاف السمع كما ان كاميرا تصوير الفيديو احترافية كما ان نسبة كبيرة من هذه النسخ تكون في الاصل Cam و لكن يعاد تسميتها
TELECINE or TC
تيليسين هو جهاز سينمائي يقوم بعمل نسخة دجيتال من شريط العرض السينمائي و جودة الصوت و الصورة تكون جيدة جدا
SCREENER or SCR
فيلم منسوخ من شريط فيديو VHS و غالبا تكون الصورة بملء الشاشة Fullscreen و يكون هناك شريط اسود اسفل الشاشة لحجب معلومات حقوق الملكية الخ ...................... و قد يكون هذا الشريط كبير او صغير و قد يكون لمدة قصيرة او طول مدة عرض الفيلم و بالنسبة للجودة فقد تكون عالية جدا اذا كان الشريط الماخوذ منه الفيلم ماستر Master و قد تكون رديئة جدا اذا اخذت من شريط عادي مستهللك
DVD-SCREENER or DVDscr
نسخة ذات جودة عالية جدا DVD و لكن قد يكون بها بعض اللقطات بالابيض و الاسود كما يكون هناك كتابة عن حقوق الملكية اسفل الشاشة في بعض المشاهد و لا تغطي بشريط اسود و هي اسطوانات مخصصة للتحكيم في مسابقات و مهرجانات الافلام كما يتم توزيعها علي عدد من النقاد و لكن يتم تسريبها
DVDRip
افضل النسخ علي الاطلاق فهي ماخوذة من اسطوانة DVD نهائية مطروحة للبيع في الاسواق و قد تطرح هذة النسخة قبل الموعد الرسمي لطرح اسطوانة DVD في السوق و هذة النسخة تظهر في الغالب بعد 6 اشهر من نزول الفيلم الي السينما
VHSRip
نسخة ماخوذة ايضا من شريط فيديو VHS مؤجر
TVRip
نسخة ماخوذة من التلفزيون و غالبا ما تكون مسلسلات او مصارعة
WORKPRINT or WP
هي نسخة لفيلم مازال في مرحلة الانتاج و لم ينتهي تصويره و لذلك يكون هنال بعض المشاهد و الموسيقي ناقصة في هذة النسخة كما ان الجودة تتراوح ما بين ممتازة و ضعيفة جدا
DivX Re-Enc
هي نسخة فيلم ماخوذة من فيديو سيدي و تم تشفيرها بكوديك معين هو هنا DivX لتصغير مساحة الفيلم غالبا 200 MB و المجموعات التي تصدرها هي SMR و TND و غالبا توجد علي برامج المشاركة P2P و ليس التورنت و في الغالب لا تستحق التحميل
Watermarks
نسخة فيلم ( غالبا اسيوي ) تحمل علامة مائية للمجموعة المصدرة للنسخة في احد اركان الشاشة
Asian Silvers / PDVD
هي نسخ الافلام الاسيوية
ثانيا : Movie Tags :
PROPER
كثيرا ما نري هذا الاسم في اسماء الافلام و معناه ان هذه النسخة جودتها احسن من النسخة التي سبقتها و ذلك في نوع واحد من النسخ ( علي سبيل المثال TS ) فاذا صدرت نسخة TS اولي ثم صدرت نسخة TS اخري و لكنها Proper اذن النسخة الاخيرة اوضح
LIMITED
هو فيلم لا يحظي بالشعبية او الجماهيرية المعروفة لذلك يعرض في عدد معين من دور العرض في الغالب 250 دور عرض و هذه الافلام لا تحظي بنفس درجة الاهتمام مثل الافلام الاخري
INTERNAL
هي نسخة تصدرها مجموعة لموقع معين و في الغالب تكون لفيلم كلاسيك قديم و يتم تسريب هذة النسخ الي مواقع اخري حسب شعبية الفيلم
STV
فيلم لم يعرض في السينما و لكنه نزل مباشرة علي الفيديو
ASPECT RATIO TAGS (WS) (FS)
WS ترمز الي Widescreen اي شاشة عريضة اي هناك خطين بالاسود اعلي و اسفل الشاشة مثل السينما و FS ترمز الي Fullscreen اي عرض علي كامل حجم الشاشة
REPACK
عندما تصدر مجموعة نسخة بها عيوب و تصلحها فان النسخة الجديدة السليمة تسمي Repack
NUKED
نسخة غير سليمة مثلا الصوت غير موجود لمدة طويلة في الفيلم تصل الي 20 دقيقة او الفيلم من اسطوانتين و الاسطوانة الثانية لفيلم اخر او للعبة في الغالب يتم معرفة النسخ ال Nuked من بعض المواقع مثل www.vcdquality.com عندما تجد بجوار اسم النسخة علامة مثل التي توضع علي الاسلحة النووية و عندما تقف عليها بالمؤشر تعرض لك سبب ال Nuked
DUPE
نسخة ملهاش لزمة يعني نفس جودة النسخة اللي طلعت قبلها فمفيش فرق بين النسختين
اخيرا : راي الشخصي :
افضل النسخ للتحميل من حيث الجودة بعد DVDrip و DVDScr و بتنزل علي النت في الغالب بسرعة
وطبعاً فيها ماهو منقول وفيها ماهو أجتهادات شخصيه .
A cam is a theater rip usually done with a digital video camera. A mini tripod is sometimes used, but a lot of the time this wont be possible, so the camera make shake. Also seating placement isn't always idle, and it might be filmed from an angle. If cropped properly, this is hard to tell unless there's text on the screen, but a lot of times these are left with triangular borders on the top and bottom of the screen. Sound is taken from the onboard microphone of the camera, and especially in comedies, laughter can often be heard during the film. Due to these factors picture and sound quality are usually quite poor, but sometimes we're lucky, and the theater will be fairly empty and a fairly clear signal will be heard.
TELESYNC (TS)
A telesync is the same spec as a CAM except it uses an external audio source (most likely an audio jack in the chair for hard of hearing people). A direct audio source does not ensure a good quality audio source, as a lot of background noise can interfere. A lot of the times a telesync is filmed in an empty cinema or from the projection booth with a professional camera, giving a better picture quality. Quality ranges drastically, check the sample before downloading the full release. A high percentage of Telesyncs are CAMs that have been mislabeled.
TELECINE (TC)
A telecine machine copies the film digitally from the reels. Sound and picture should be very good, but due to the equipment involved and cost telecines are fairly uncommon. Generally the film will be in correct aspect ratio, although 4:3 telecines have existed. A great example is the JURASSIC PARK 3 TC done last year. TC should not be confused with TimeCode , which is a visible counter on screen throughout the film.
SCREENER (SCR)
A pre VHS tape, sent to rental stores, and various other places for promotional use. A screener is supplied on a VHS tape, and is usually in a 4:3 (full screen) a/r, although letterboxed screeners are sometimes found. The main draw back is a "ticker" (a message that scrolls past at the bottom of the screen, with the copyright and anti-copy telephone number). Also, if the tape contains any serial numbers, or any other markings that could lead to the source of the tape, these will have to be blocked, usually with a black mark over the section. This is sometimes only for a few seconds, but unfortunately on some copies this will last for the entire film, and some can be quite big. Depending on the equipment used, screener quality can range from excellent if done from a MASTER copy, to very poor if done on an old VHS recorder thru poor capture equipment on a copied tape. Most screeners are transferred to VCD, but a few attempts at SVCD have occurred, some looking better than others.
DVD-SCREENER (DVDscr)
Same premise as a screener, but transferred off a DVD. Usually letterbox , but without the extras that a DVD retail would contain. The ticker is not usually in the black bars, and will disrupt the viewing. If the ripper has any skill, a DVDscr should be very good. Usually transferred to SVCD or DivX/XviD.
DVDRip
A copy of the final released DVD. If possible this is released PRE retail (for example, Star Wars episode 2) again, should be excellent quality. DVDrips are released in SVCD and DivX/XviD.
VHSRip
Transferred off a retail VHS, mainly skating/sports videos and XXX releases.
TVRip
TV episode that is either from Network (capped using digital cable/satellite boxes are preferable) or PRE-AIR from satellite feeds sending the program around to networks a few days earlier (do not contain "dogs" but sometimes have flickers etc) Some programs such as WWF Raw Is War contain extra parts, and the "dark matches" and camera/commentary tests are included on the rips. PDTV is capped from a digital TV PCI card, generally giving the best results, and groups tend to release in SVCD for these. VCD/SVCD/DivX/XviD rips are all supported by the TV scene.
WORKPRINT (WP)
A workprint is a copy of the film that has not been finished. It can be missing scenes, music, and quality can range from excellent to very poor. Some WPs are very different from the final print (Men In Black is missing all the aliens, and has actors in their places) and others can contain extra scenes (Jay and Silent Bob) . WPs can be nice additions to the collection once a good quality final has been obtained.
DivX Re-Enc
A DivX re-enc is a film that has been taken from its original VCD source, and re-encoded into a small DivX file. Most commonly found on file sharers, these are usually labeled something like Film.Name.Group(1of2) etc. Common groups are SMR and TND. These aren't really worth downloading, unless you're that unsure about a film u only want a 200mb copy of it. Generally avoid.
Watermarks
A lot of films come from Asian Silvers/PDVD (see below) and these are tagged by the people responsible. Usually with a letter/initials or a little logo, generally in one of the corners. Most famous are the "Z" "A" and "Globe" watermarks.
Asian Silvers / PDVD
These are films put out by eastern bootleggers, and these are usually bought by some groups to put out as their own. Silvers are very cheap and easily available in a lot of countries, and its easy to put out a release, which is why there are so many in the scene at the moment, mainly from smaller groups who don't last more than a few releases. PDVDs are the same thing pressed onto a DVD. They have removable subtitles, and the quality is usually better than the silvers. These are ripped like a normal DVD, but usually released as VCD.
Formats
VCD
VCD is an mpeg1 based format, with a constant bitrate of 1150kbit at a resolution of 352x240 (NTCS). VCDs are generally used for lower quality transfers (CAM/TS/TC/Screener(VHS)/TVrip(analogue) in order to make smaller file sizes, and fit as much on a single disc as possible. Both VCDs and SVCDs are timed in minutes, rather than MB, so when looking at an mpeg, it may appear larger than the disc capacity, and in reality u can fit 74min on a CDR74.
SVCD
SVCD is an mpeg2 based (same as DVD) which allows variable bit-rates of up to 2500kbits at a resolution of 480x480 (NTSC) which is then decompressed into a 4:3 aspect ratio when played back. Due to the variable bit-rate, the length you can fit on a single CDR is not fixed, but generally between 35-60 Mins are the most common. To get a better SVCD encode using variable bit-rates, it is important to use multiple "passes". this takes a lot longer, but the results are far clearer.
XVCD/XSVCD
These are basically VCD/SVCD that don't obey the "rules". They are both capable of much higher resolutions and bit-rates, but it all depends on the player to whether the disc can be played. X(S)VCD are total non-standards, and are usually for home-ripping by people who don't intend to release them.
DivX / XviD
DivX is a format designed for multimedia platforms. It uses two codecs, one low motion, one high motion. most older films were encoded in low motion only, and they have problems with high motion too. A method known as SBC (Smart Bit-rate Control) was developed which switches codecs at the encoding stage, making a much better print. The format is Ana orphic and the bit-rate/resolution are interchangeable. Due to the higher processing power required, and the different codecs for playback, its unlikely we'll see a DVD player capable of play DivX for quite a while, if at all. There have been players in development which are supposedly capable, but nothing has ever arisen. The majority of PROPER DivX rips (not Re-Encs) are taken from DVDs, and generally up to 2hours in good quality is possible per disc. Various codecs exist, most popular being the original Divx3.11a and the new XviD codecs.
CVD
CVD is a combination of VCD and SVCD formats, and is generally supported by a majority of DVD players. It supports MPEG2 bit-rates of SVCD, but uses a resolution of 352x480(ntsc) as the horizontal resolution is generally less important. Currently no groups release in CVD.
DVD-R
Is the recordable DVD solution that seems to be the most popular (out of DVD-RAM, DVD-R and DVD+R). it holds 4.7gb of data per side, and double sided discs are available, so discs can hold nearly 10gb in some circumstances. SVCD mpeg2 images must be converted before they can be burnt to DVD-R and played successfully. DVD>DVDR copies are possible, but sometimes extras/languages have to be removed to stick within the available 4.7gb.
MiniDVD
MiniDVD/cDVD is the same format as DVD but on a standard CDR/CDRW. Because of the high resolution/bit-rates, its only possible to fit about 18-21 mins of footage per disc, and the format is only compatible with a few players.
PROPER
Due to scene rules, whoever releases the first Telesync has won that race (for example). But if the quality of that release is fairly poor, if another group has another telesync (or the same source in higher quality) then the tag PROPER is added to the folder to avoid being duped. PROPER is the most subjective tag in the scene, and a lot of people will generally argue whether the PROPER is better than the original release. A lot of groups release PROPERS just out of desperation due to losing the race. A reason for the PROPER should always be included in the NFO.
SUBBED
In the case of a VCD, if a release is subbed, it usually means it has hard encoded subtitles burnt throughout the movie. These are generally in malaysian/chinese/thai etc, and sometimes there are two different languages, which can take up quite a large amount of the screen. SVCD supports switch able subtitles, so some DVDRips are released with switch able subs. This will be mentioned in the NFO file if included.
UNSUBBED
When a film has had a subbed release in the past, an Unsubbed release may be released
LIMITED
A limited movie means it has had a limited theater run, generally opening in less than 250 theaters, generally smaller films (such as art house films) are released as limited.
INTERNAL
An internal release is done for several reasons. Classic DVD groups do a lot of .INTERNAL. releases, as they wont be dupe'd on it. Also lower quality theater rips are done INTERNAL so not to lower the reputation of the group, or due to the amount of rips done already. An INTERNAL release is available as normal on the groups affiliate sites, but they can't be traded to other sites without request from the site ops. Some INTERNAL releases still trickle down to IRC/Newsgroups, it usually depends on the title and the popularity. Earlier in the year people referred to Centropy going "internal". This meant the group were only releasing the movies to their members and site ops. This is in a different context to the usual definition.
STV
Straight To Video. Was never released in theaters, and therefore a lot of sites do not allow these.
ASPECT RATIO TAGS
These are *WS* for widescreen (letterbox) and *FS* for Fullscreen.
EDITONS
SE = Special Edition
DC = Directors Cut
CE = Collectors Edition
مترجم إلى العربي
منقول من العضوmenamories
اولا : انواع صور الافلام :
Cam
اسواء صور الافلام و هي تصوير كاميرا فيديو في السينما و يتم تسجيل الصوت مباشرة من قاعة السينما و قد تري او تسمع اصوات المشاهدين في السينما
TELESYNC or TS
افضل من Cam وهي ايضا تصوير سينما و لكن في قاعة سينما فارغة او من غرفة الة العرض و جودة الصوت افضل من Cam لانه يتم تسجيل الصوت من جهاز العرض عن طريق مكان مخصص لذلك في الكرسي لتوصيل سماعات ضعاف السمع كما ان كاميرا تصوير الفيديو احترافية كما ان نسبة كبيرة من هذه النسخ تكون في الاصل Cam و لكن يعاد تسميتها
TELECINE or TC
تيليسين هو جهاز سينمائي يقوم بعمل نسخة دجيتال من شريط العرض السينمائي و جودة الصوت و الصورة تكون جيدة جدا
SCREENER or SCR
فيلم منسوخ من شريط فيديو VHS و غالبا تكون الصورة بملء الشاشة Fullscreen و يكون هناك شريط اسود اسفل الشاشة لحجب معلومات حقوق الملكية الخ ...................... و قد يكون هذا الشريط كبير او صغير و قد يكون لمدة قصيرة او طول مدة عرض الفيلم و بالنسبة للجودة فقد تكون عالية جدا اذا كان الشريط الماخوذ منه الفيلم ماستر Master و قد تكون رديئة جدا اذا اخذت من شريط عادي مستهللك
DVD-SCREENER or DVDscr
نسخة ذات جودة عالية جدا DVD و لكن قد يكون بها بعض اللقطات بالابيض و الاسود كما يكون هناك كتابة عن حقوق الملكية اسفل الشاشة في بعض المشاهد و لا تغطي بشريط اسود و هي اسطوانات مخصصة للتحكيم في مسابقات و مهرجانات الافلام كما يتم توزيعها علي عدد من النقاد و لكن يتم تسريبها
DVDRip
افضل النسخ علي الاطلاق فهي ماخوذة من اسطوانة DVD نهائية مطروحة للبيع في الاسواق و قد تطرح هذة النسخة قبل الموعد الرسمي لطرح اسطوانة DVD في السوق و هذة النسخة تظهر في الغالب بعد 6 اشهر من نزول الفيلم الي السينما
VHSRip
نسخة ماخوذة ايضا من شريط فيديو VHS مؤجر
TVRip
نسخة ماخوذة من التلفزيون و غالبا ما تكون مسلسلات او مصارعة
WORKPRINT or WP
هي نسخة لفيلم مازال في مرحلة الانتاج و لم ينتهي تصويره و لذلك يكون هنال بعض المشاهد و الموسيقي ناقصة في هذة النسخة كما ان الجودة تتراوح ما بين ممتازة و ضعيفة جدا
DivX Re-Enc
هي نسخة فيلم ماخوذة من فيديو سيدي و تم تشفيرها بكوديك معين هو هنا DivX لتصغير مساحة الفيلم غالبا 200 MB و المجموعات التي تصدرها هي SMR و TND و غالبا توجد علي برامج المشاركة P2P و ليس التورنت و في الغالب لا تستحق التحميل
Watermarks
نسخة فيلم ( غالبا اسيوي ) تحمل علامة مائية للمجموعة المصدرة للنسخة في احد اركان الشاشة
Asian Silvers / PDVD
هي نسخ الافلام الاسيوية
ثانيا : Movie Tags :
PROPER
كثيرا ما نري هذا الاسم في اسماء الافلام و معناه ان هذه النسخة جودتها احسن من النسخة التي سبقتها و ذلك في نوع واحد من النسخ ( علي سبيل المثال TS ) فاذا صدرت نسخة TS اولي ثم صدرت نسخة TS اخري و لكنها Proper اذن النسخة الاخيرة اوضح
LIMITED
هو فيلم لا يحظي بالشعبية او الجماهيرية المعروفة لذلك يعرض في عدد معين من دور العرض في الغالب 250 دور عرض و هذه الافلام لا تحظي بنفس درجة الاهتمام مثل الافلام الاخري
INTERNAL
هي نسخة تصدرها مجموعة لموقع معين و في الغالب تكون لفيلم كلاسيك قديم و يتم تسريب هذة النسخ الي مواقع اخري حسب شعبية الفيلم
STV
فيلم لم يعرض في السينما و لكنه نزل مباشرة علي الفيديو
ASPECT RATIO TAGS (WS) (FS)
WS ترمز الي Widescreen اي شاشة عريضة اي هناك خطين بالاسود اعلي و اسفل الشاشة مثل السينما و FS ترمز الي Fullscreen اي عرض علي كامل حجم الشاشة
REPACK
عندما تصدر مجموعة نسخة بها عيوب و تصلحها فان النسخة الجديدة السليمة تسمي Repack
NUKED
نسخة غير سليمة مثلا الصوت غير موجود لمدة طويلة في الفيلم تصل الي 20 دقيقة او الفيلم من اسطوانتين و الاسطوانة الثانية لفيلم اخر او للعبة في الغالب يتم معرفة النسخ ال Nuked من بعض المواقع مثل www.vcdquality.com عندما تجد بجوار اسم النسخة علامة مثل التي توضع علي الاسلحة النووية و عندما تقف عليها بالمؤشر تعرض لك سبب ال Nuked
DUPE
نسخة ملهاش لزمة يعني نفس جودة النسخة اللي طلعت قبلها فمفيش فرق بين النسختين
اخيرا : راي الشخصي :
افضل النسخ للتحميل من حيث الجودة بعد DVDrip و DVDScr و بتنزل علي النت في الغالب بسرعة
وطبعاً فيها ماهو منقول وفيها ماهو أجتهادات شخصيه .